Thursday, November 21, 2013

Family History

For my grandparents' 60th anniversary, my aunt hired a genealogist to dig up some of my family's history.

My paternal grandparents James (b. 1926) and Katie (b. 1930)
They met in college, married in March of 1951, and had five children (the youngest of whom is my dad).



My name and the names of my siblings are all on this page :)







My Dreamcatcher Tattoo

Since I really like dreamcatchers and I didn't have the supplies or the funds to make one, I decided to make myself a tattoo :)




Dreamcatchers were huge in most Native American tribes. I think the Ojibwa were the first to use them, then they were adopted by neighboring nations. They were believed to protect sleepers from bad dreams. They were hung directly over their heads so that only positive images would come to them as they slept. The good dreams would then mosey on down the feathers into the mind of the sleeper. Any nightmares would be caught by the middle part and then were burned away at sunrise.

Rehash: Review of Memoirs of a Geisha

I have NEVER in my LIFE typed SO MUCH in SO LITTLE TIME.
So I loved the movie Memoirs of a Geisha. I still do, despite the research that ruined it all. I had to watch the movie until I memorized entire scenes so I could fully understand why it was so inaccurate. The film took place around WWII (the bombing of Hiroshima occurred toward the middle). It was about a poor farmer's daughter who gets sold to a geisha house and ends up becoming one of the most renowned geisha of her time. The amount of research that went into that thing was insane. On the upside, I did learn more about the true culture of geisha in the forties. Much of it could be interpreted as merely fantasy; this is call Orientalism, which is creating a fantasy/illusion about other cultures, particularly those of the Eastern persuasion. Also, I analyzed the characters, particularly Sayuri, the protagonist.

Wednesday, November 20, 2013

Family Recipe

PRALINE COOKIES:

20-24 whole graham crackers
1 cup butter
1 packed cup light brown sugar
1 cup chopped pecans or sliced almonds

Line a 10x15 jelly roll pan with the crackers. Boil sugar and butter for 1 minute, then remove from heat. Add nuts when bubbling stops. Spread over crackers, then bake in 350 degrees for 10 minutes. Cool and cut into squares. Makes around 5 dozen.








PANCAKES:

1 whole banana (optional)
2 cups flour
1 egg 
1 tsp. salt
4-6 tbs. sugar
2 tbs. baking powder
1 cup milk
1 tbs melted butter

Mix all liquids together, including the egg. Then mix all dry ingredients in a separate bowl. Once mixed fully, combine moist and dry ingredients. If too thick add more water. Too thin, add flour. Spoon onto heated pan, checking occasionally. Flip over when golden brown.
Optional: add bananas, sprinkles, cinnamon, anything else you might like after combining the moist and dry ingredients.






It took me about 2 hours to make everything. It was fun, but I was mad I didn't make enough for me to eat. I don't think either of them turned out nearly as good as when my parents make them...but I tried.


Rehash: Things You'd Find in a 19th Century Newspaper

One of my favorite things I did last semester :)
I recreated a series of articles and advertisements that you might have seen in the issue right after Abraham Lincoln was assassinated. It didn't take a whole lot of research; I just trolled about the web, chose a few that I liked, and made some up of my own. My favorite one I made was probably the face serum for the women with snake venom and bone marrow. It was scary, some of the things they put in cosmetics and medicines (opium? mercury?? COCAINE???). Of course, these substances were advertised by "experts" and "specialists" (aka, learned physicians) as healthy, so the public believed them. I would have liked to know more about what actually happened to the skin/hair/mental state of the people who took this stuff regularly. I highly doubt it did as it advertised, though. The article on Lincoln's assassination was pretty easy to do, too. I think I would have put all these together into one big newspaper that I'd have brought to class, even though it would have required more work (cutting, pasting, folding, etc. etc.)


Rehash: My Short Story from Last Semester

I wrote a story about Jack the Ripper for my project last semester. It was in the POV of a girl named Eliza who takes in an apprentice of the Jack himself (who, in this case, is a fire-and-brimstone, hideously prejudiced preacher). Basically, he shows up at her door one night injured and she tends to his wounds before he leaves. A few months later, she witnesses one of the killings. Had I not been born such a ridiculous procrastinator, I would have probably spent more time and research on it. So little is known about Jack (besides his beef towards streetwalkers), I feel like there was so much more I could have done with the story, such as exploring the time period and how ratchet Whitechapel was back then. Like I said, the writing's not my best either, so I do believe heavy revision is in order. And maybe I would've gone into more detail about the killing itself, just as a challenge. I've never written a murder scene, especially not as hideous as that one. A few sites did have pictures of the victims' bodies, which did help in the writing process. Unfortunately, though, my brain is probably pissed off at me for exposing it to such hideous imagery.

Interviewing my Grandfather

On Thanksgiving, I interviewed my grandfather, James Johnson, about some of the new inventions that came about when he was young. Specifically, when he first heard about a TV. It's fun listening to grandparents tell stories about when they were young, especially when it concerns something I grew up with. Here's a part of the interview:

ME: Where were you when you first heard of a TV?

GF: It was during the War II. I was a military police officer, and I was in Russia on assignment. I was there around 3 years. We were on our way back to the US. There were replacements coming in for us, and they told us about all the changes in technology in the US that had happened while we were gone. 

ME: What kinds of things were you told about?

GF: Washing machines, dryers, coffee machines, and the drink machines. You know, the ones where you put the coin in?

ME: (laughing) Yes, I know.

GF: All right. Anyway, one of the men was telling me about this new little box. It was similar to a radio--you plug it in and all that--but it had a glass front and you could see things that were going on in other parts of the world.

ME: Did you believe him at first?

GF: No. (laughs) I didn’t believe the guy at first. Thought he was kinda woozy. Like his elevator hadn't gone all the way up to the top. But he was telling me to go to a furniture store as soon as I got back. He said they'd have these radio-looking things, except their fronts were glass. I asked him, "Where do you put the film?" and he answered, "Nope, it’s live. Don't need a tape or film. You can see things in Europe and other parts of America." Like I said, I thought he was crazy at first, but I found out he was serious when I got home. (laughs)

Working Behind the Scenes at RenFest

I got the chance to go to the Renaissance Festival on November 6. I ran into a lot of important historical figures, like Guy Fawkes (second picture below with the bomb). It was a school day, so we escorted some middle and high-school orchestras to different venues for their performances. Being a pirate for a day was pretty awesome, though unfortunately I didn't get into any sword fights or steal doubloons or anything like that. Even so, it was fun :)

Monday, April 22, 2013

Entry #8 - Cherokee Huckleberry Bread



 2 cups Self-rising flour     1 cup Milk
 1 Egg                                 1 tsp. Vanilla extract
 1 cup Sugar                       2 cups blueberries
 1 Stick of butter
 
  Cream eggs, butter and sugar together.  Add flour, milk, and vanilla.
  Sprinkle flour on berries to prevent them from going to the bottom.  Add
  berries to mixture.  Put in baking pan and bake in over at 350 degrees for
  approximately 40 minutes or until done.

A nice, easy recipe that tasted pretty awesome too :)

Sunday, April 21, 2013

Entry #7 - Museum Visit

My dad and I visited the Tomball Museum Center, specifically, Magdalene Charlton Memorial House. According to our tour guide, it was built in 1860 by Eugene Pillot. It was initially close to the Atascocito Trail, which is not Boudreaux Road. Magdalene Charlton moved to its current location and it was named the Griffin House in memory of Edmond B. Griffin. It became a museum in 1969. It still has most of its original furnishings.

These bills date back to the Civil War. The Confederacy, to be exact.


 I'm not quite sure who the dress/shoes/hat belonged to, but its looks like it would have been popular around the late 1880s-early 1900s. It was situated in what used to be the parents' room.
The pan-looking thing on the right is called a bed warmer. It was used to warm up people's beds during the colder seasons. You just put some hot coal in it, seal it up, and place it under the sheets. The thing in the middle is called a bellows. You can't see it now, but there's a leather pouch in between those handles that expands like an accordion when you pull them apart. When the handles are pushed back together, air is pushed out. These are still used today in buses and trams.

I believe this fan belonged to Griffin's aunt, who used it to fan herself while attending Lincoln's inauguration. And that fuzzy thing by the window is my head -__-

In the kitchen house. Apparently, the black thing in the front was a meat grinder O.O

The owner of the house, Edmond Griffin, and his daughter, taken 1905

This is just a collection of toys that may have belonged to the children of the house. The oldest one, I think, was made sometime in the late 1880s.

This is some really (really, really, really...) old tobacco. Horns worked great as hangers back then.
If I remember right, this thing was used to churn butter.

I really liked getting to see all of that stuff. There were only minor changes to the house (lighting, AC, bathrooms, etc), but everything there had been preserved from the 1800s. It was definitely fun seeing these weird objects and then finding out what they were used for.

Entry #6 - My Short Story

So. Much. RESEARCH >.<
This is a short story about one of the most notorious serial killers of all time: Jack the Ripper. It's not in his POV, unfortunately...I think that would've made it more interesting. But as any writers know, you must go with your inspiration, and mine led me to write it in Eliza's POV.
By this time, you may have guessed that I really like the Victorian era.
Whitechapel (the city, not the death metal band) was a pretty messed-up area in 1888. Racism, theft, murder, things like that were pretty common. There were actually a lot of other murders around the time of the "canonical five" (the murders that were believed to be orchestrated by him). The five bore the most similarity to each other: slit throats, intestines hanging out everywhere, etc. And they were all prostitutes, too. The story ends with the last of the five, Mary Jane Kelly, meeting her untimely and rather gory demise.
The police received hundreds of letters from people pretending to be Jack during the time between the first and last ones, but three of them stood out (the creepiest of which I included in the story). To this day, no one's been able to figure out his identity, though it's still under heavy speculation.
This isn't my best work since I was so pressed for time completing it, and I don't really like the abrupt ending, either. I guess it's up to you to decide what happens next :P
Hope you like it!

..............................................................................................................................................



31 AUGUST 1888
The killings began at a despairingly unacceptable time, when Elizabeth Cartier finally entered into her eighteenth year of existence. The body—if the glistening, sprawling, obscenely red mass could be called as such—was found during the day’s wee hour, which perturbed the new young woman, since she was born at around that same time. What a horrible coincidence, Eliza had thought. One lives, another dies, and the world only stops for the latter of the two.
Outside, the Whitechapel sky was a deepening indigo, though the wee hours had passed long since. Eliza was alone in the parlor, slurping tea. She was enveloped in her father’s great vinyl chair, and the candle’s flame was a dancing yellow teardrop balanced atop the wax. Loneliness was gnawing; her family had taken to bed hours ago, but she was restless, eager to hold on to the last wisps of the day.
Embroidering lessons had been absolutely dreadful, to say the least. She’d been forced to sit by Bianca Lovett, who spoke of the murder in a way that ill-befitted the situation.
“They say the slain lady was a whore,” Bianca had hissed into her ear while Madame Broussard was gone fetching more yarn. “She had two big ol’ cuts travelin’ down deep in ‘er throat. And whoever did the deed had taken the blade to…” she’d leaned in close, conspiratorial, “the private areas.” Then she’d covered her mouth and giggled.
“Her name was Mary Ann Nichols. She had a husband and children,” saucer-eyed Cathy had whispered, pale hands atremble. “The poor, poor thing. Doesn’t matter if she was a tramp…no one deserves a death like that!”
Eliza remembered the glitter in Bianca’s eyes, the sinister upending of the corners of her mouth. It had been horrid. How could one glint an eye at a death? At a murder, and one such as this? Eliza had felt herself shrink at Bianca’s morbid fascination. She didn’t want to know the things Bianca took pleasure in; rather, she wanted to un-know them. She wanted to put them in a gunnysack and burn them all to ash to blow in the wind. That would be a nice birthday gift from herself to herself.
          Eliza set the teacup down on the nightstand. She rose, rubbing away the wrinkles in her nightgown. She was flooded with warmth from her tea, almost uncomfortably so. She bent over to blow away the candle, brushing mousy brown hair behind her ears.
          And then.
          A dark movement out the window, a fleeting whiplike shift of the shadows. Eliza stopped, stiff as rigor mortis. Heart pounding. Eyes searching. It was a few seconds before she took a step back, and another, and another.
          There it was again.
          She should have left then. She should have blown out the candle and retreated to her room, should have shut the doors and swept the drapes closed. But Eliza was a curious one, and she walked toward the window, peering out.
          Into a face.
          Squealing, Eliza stumbled clumsily back, narrowly avoiding the nightstand with the still-alight candle. Instantly she slapped both hands over her mouth, so hard that the lower half of her face stung, and her eyes squeezed shut, and she willed the face to disappear, to slip away, away, never to be seen again…
          “No,” she whispered, “no, not me, please, not me, not me, not me…”
          She could have repeated this for a minute or for an hour, for the way fear invades time and distorts it beyond recognition. It was still there when she peeled open her eyes. Shaking, she realized the it was actually a him, and a seemingly nonthreatening one at that.
          The only sounds were her ragged breaths, her bludgeoning heart, her fear pealing.
          Then his lips moved.
          Barely. Eliza couldn’t make out the words, but his face was such a mask of wretchedness that set afloat specks of pity in her. His lips moved again, and though the fog of his breath on the glass concealed it, it didn’t escape her this time.
          “Help me,” he was saying.
          Before she could stop herself, she ran to the door.
         

* * * *
         
          “What’s your name?” she asked him.
          The boy downed the entire glass in one gulp, dragging a hand across thin, chapped lips. He seemed slightly older than Eliza, tall and slight, with a shock of dark hair atop his head. “Nicholas,” he answered. “I’m Nicholas.” He looked at her. “And I’m…sorry I scared you.”
          “Nicholas.” Eliza had heard the name before. Recently, even. Her brows narrowed in thought. She didn’t know many boys by the name of Nicholas. There was one who played the fiddle at the corner by the cooper’s shop, but this wasn’t him, of course. The only other one she could think of…
          “Nicholas!” she exclaimed, then slapped both hands over her mouth again. She was silent for a moment, anticipating her mother’s approaching footsteps from the hall, but no sound came, thankfully.
Nicholas cocked his head to one side, birdlike. “You know me? From where?”
“You’re the one Reverend Tyler took in, aren’t you? He brings you to church every Sunday. I see you quite often.” A horrible—but not altogether surprising—thought occurred to her. “Did…did he do this to you?”
Reverend Richard William Tyler headed the ecclesiastics at the church the Cartiers had attended for years. Putting it mildly, the man simply terrified Eliza; she was convinced his size was directly proportional to the amount of fire and brimstone he pounded into each sermon. Eliza could never fathom why such a severe man could have such a substantial following. He preached condemnation and hellfire, mentioning seldom the austere God other ministers droned on about.
Nicholas refused to meet her gaze. He focused on the tile floor and was silent for a long time. Then, he finally looked at her. “You can’t tell anyone. Anyone.” His words were scraping.
“But…”
“It wouldn’t make a difference.” Nicholas’s entire countenance hardened. “Whitechapel is corrupt. The police are corrupt. Tell them, and he’ll shove enough money at them to keep them silent.” He ran a hand through his dark hair. “It wouldn’t make a difference,” he repeated through gritted teeth.
“Then why do you stay with him?” Eliza almost cried. “Why not run away?”
He laughed gratingly. “Who would take me in?” When Eliza couldn’t answer, he continued. “The streets are deadly. No one can even go to the market without fear of assault. At least I have a place to stay with him, clothes to wear. At least I’m not lying dead in some damned alley being picked at by dogs.”
The streets are deadly. The murdered woman made a reappearance behind Eliza’s eyes. Mary Ann Nichols. Surely, life was better than a death like that, even in filthy, festering, disease-ridden Whitechapel.
Wasn’t it?
The helplessness was infuriating. “Why—” she began, but stopped herself. She wanted to invite him to stay with her, but it would be foolish. What if the good Reverend came to retrieve him, and not peacefully? What would happen to her? To her family? She severed that train of thought quickly, abhorrently. This—cleaning his wounds, feeding him—would have to mark the extent of her kindness to him.
She would let things remain as they were.
“Let me help you,” she said, and reached out to him, but soon regretted it as her fingertips came in contact with the cold of congealing blood. Still, she ignored it and brought the candle closer. Jagged cuts zigzagged up and down his arm, and beneath them, Eliza barely made out the ghosts of other scars if the same pattern.
          She let out a breath. “What happened to you?” she whispered.
          Nicholas was silent—but obediently still—as Eliza examined the wounds. She poured alcohol on a rag, despite the pungent, antiseptic stench that burned her throat. She worked as gingerly as she could, but Nicholas still flinched and dragged in a breath through his teeth as the liquid soaked the wounds.
Eliza bandaged them carefully, like she’d seen done so many times. When she was finished, she bit off the bandage—gently—and tucked it beneath. “There. Should heal much faster now.”
          His eyes were blue, blue. Bluer than melancholy, her mother would have said. And melancholy they were. It was filling them, and the wind-like force of it stilled her. “My name is Eliza, by the way.” she said, lowering her own brown ones.
          A smile pulled at the ends of his mouth. A real smile, nothing sardonic or subtracted from. “Nice to meet you. Though I do wish it were under different circumstances.” He slid off the table, landing, catlike, on his feet.
          “You’re leaving? Already?” Eliza asked him.
          Ethan lifted an eyebrow. “You would want me to stay?”
          Eliza blushed. Of course he had to get home. Or, the place he’s currently residing, Eliza thought. To call Ethan’s living situation a true home would be a gross overstatement. She took the candle and led him to the double doors.
          “I have…responsibilities to complete,” Ethan continued, “so I’m afraid I can’t stay and chat. I would if I could, though.”
          “Will I see you again?” Eliza asked.
          “Hopefully.” He gave her another smile. “Thank you,” he said.
          “Be careful.” She opened the door for him and watched the night swallow his retreating figure until he was out of sight.


9 NOVEMBER 1888
Three more killings. Three more candles snuffed out.
          These women were prostitutes as well, and they had been murdered—mutilated, savaged, dehumanized—in much the same way the first victim had been. Throats clean-cut, innards a nightmarish mishmash of crimson rope and congealed blood. Eliza lay claim to no religion, but nonetheless counted herself lucky, if not blessed. They had happened mere streets from each other, and what if it befell her? She found herself marveling on more than one occasion at the slipperiness of existence. How wavering and delicate life was, like smoke from incense.
How a slash of steel to the right place could render it a simple speck of dust: here one second, gone before the next.
The authorities had received hundreds of letters from people claiming to be the killer. Jack the Ripper, the Leather Apron; both names he’d been so kind to give the public. But why would anyone don such a mantle? Of course, the vast majority of the letters were hoaxes. But three had stood out, and Eliza was fortunate enough to hear by far the most chilling of the bunch, written in penmanship that better befitted a young schoolchild:
          From hell
Mr Lusk,
Sor
I send you half the Kidne I took from one women prasarved it for you tother piece I fried and ate it was very nice. I may send you the bloody knif that took it out if you only wate a whil longer. signed
Catch me when you Can Mishter Lusk.
News traveled fast in Whitechapel, and Lusk, the head of the Whitechapel Vigilante Committee, had himself received the letter—along with the boxed half-kidney. There had been no murders since then, not that anyone had begun to take it for granted, least of all Eliza. She’d taken to sleeping with her brother’s knife under her pillow, lest the same fate come to encompass her.
A stick of butter from widowed Mrs. Winslow was in her hand as she ducked down the alley toward home. Dorsett Street was unusually quiet that early morning, and Eliza welcomed it with open arms. The past few months had been a horrid, gore-riddled tangle, and the peace could have hailed from another place, another time entirely. She walked by the occasional cur nosing about for its next meager meal. She’d brought no money, so when milk-eyed vagabonds moaned and stretched gnarled hands to her, looking away only made her slightly guilty.
Her mind fluttered back to Ethan. What was he doing now? It was a question that had latched itself onto the back of her mind the morning after he’d come to her. She’d had little interaction with Ethan since that night two months ago, only seeing him passing about the offering platter during church. Since that night, sitting quietly through it with her family became quite the task. She wanted to jump up and scream “Abuser!” during one of Tyler’s fire-imbued sermons. As sorely as she was tempted to do it—to rip away his mask and reveal the pulsing, ugly truth beneath it—she knew she’d be laughed at, dismissed, possibly put away. She had not a shred of evidence against Tyler—how she hated the name now! Not only that, what would become of Ethan if everyone did believe her? He’d be turned out to the streets. Eliza sighed, wishing as she approached the window to a hotel room.
And that’s when she saw them.
Ethan and—dear God—Reverend Tyler.
Ethan was half-eclipsed by Tyler, who had almost a foot and a half on him in height. Tyler’s hand was wound around Ethan’s arm in a death grip. Tendrils of his voice escaped the thin walls, and Eliza did not have to listen closely to hear its dripping malice. Quickly, she pressed herself against the alley wall, praying that she had not been seen.
“And what are you, boy?” Tyler was growling.
“Nothing,” came Ethan’s reply, barely audible.
“I said…” Reverend Tyler grabbed Ethan’s shirt in two giant paws, hauling him up and slamming him into the brick wall. Even from where she stood, Eliza heard the horrible, resounding crack of his skull. Tyler leaned in close, foam spraying from his mouth as he gritted out, “What are you?”
“Nothing!” Ethan shouted hoarsely. “I am nothing!”
Tyler, all pulsing veins and flaring nostrils, drove Ethan’s limp figure against the wall, over and over and over, the sound like some twisted drumbeat keeping his rage in time. Eliza’s heart broke with every strike; her fists clenched and her helplessness ground within her.
Ethan’s shirt still in his fists, Tyler said, “I’m glad we’ve come to an understanding.” He thrust the boy away, and Ethan hit the ground and bounced slightly, all flailing limbs. His groans and sobs permeated the air.
“Get up, whoreson,” Tyler snarled. “You are of no use to me lying there like a drunkard. We have responsibilities to complete tonight.” He dealt Ethan a savage kick to the stomach, and Ethan’s body curled tightly around the pain. Eliza heard his coughs, drawn out and rasping and wet-sounding. She was in tears, fighting the urge to charge in and kill Tyler herself. The butter was becoming crushed in her fist. Never had the desire to kill someone been so bright and strong, and the new sensation terrified her.
 We have responsibilities to complete. Hadn’t Ethan told her that that night two months ago? It chilled her, to think of what those responsibilities entailed.
But she was about to find out.
Swallowing hard, Eliza listened closer. For a few seconds, no sound came from the room save Ethan’s coughs and cries. Then, another, smaller sound came, and Eliza had to strain to make it out.
Was that…a woman’s voice?
Eliza dared look into the window. Ethan had somehow risen to his feet and stood unsteadily by Tyler. Their backs were turned to Eliza. There was a small space in between them, just enough to see a something on the bed.
“Look at her,” Tyler said. “Life is a gift from above, boy. She has profaned herself in the eyes of God and thus made hers worthless and sinful. Instead of opening her home as a true woman should, she has opened her legs for any man who will satisfy her wanton desires. She does not deserve to continue with her squandered existence, does she? Does she?”
Ethan’s reply was a jerking shake of his head.
Tyler moved out of the way, and to Eliza’s horror, a woman was bound by her wrists to the bed. She was kicking and writhing, trying desperately to free herself. Eliza swallowed the bile rising in her throat. She knew the woman. She’d seen her stumbling down the streets at night, swigging spirits and calling out vulgar offers to passing men.
She was a lady of the night. A prostitute.
Everything came crashing down then. The realization was blinding, and Eliza felt it like a blast of sunlight to the eyes.
Tyler and Ethan had murdered those women. Together, they were Jack the Ripper.
Tyler returned, brandishing a large blade. The woman’s pleas stopped for a shaved second, then turned into screams.
“In a way,” he continued in spite of them, “you’re doing this to your own mother. Wasn’t she one of these foul, disgusting creatures as well?”
Tyler handed the knife to Ethan, who nodded blankly. The woman’s screams grew in volume and wrenched Eliza’s heart.
“We have a duty to our society, Ethan. We are its caretakers as well as its inhabitants. It is our God-given responsibility to rid ourselves of this vile, lustful thing. This filth.” He made a wild gesture of disgust at the woman. “And you must do your duty as well. You must carry on my work. But first, you must practice.”
Eliza gasped. The entire thing was wrong. A part of her was screeching at her to run as fast as her feet could carry her, but she could not tear herself away.
“I’m sorry,” Ethan said, voice quavering. He stepped closer to the woman, and her screams and oaths grew wild and bestial, something that Eliza was doomed to remember to her final day.
“I’m sorry!” Ethan cried again. He raised the knife.
No.
No.
Ethan hesitated, his arm freezing. His shoulders heaved.
“Dammit, boy, do it!” Tyler grabbed Ethan’s wrist and yanked it down. The blade slid profanely easily across the woman’s throat, which then began to vomit red. Abruptly, her screams stopped with Eliza’s heart.
Tyler released Ethan’s wrist. Ethan tore into her body like a rabid thing, slashing and stabbing and slicing. The blade hacked mercilessly at her face, her torso, her legs and arms. Flecks of effluvium and rivulets of blood flew off of the woman and coated the walls, covered Ethan, covered Tyler, whose hands were raised in perverse supplication.
She kept repeating it like a mantra: He can’t do this. He can’t.
But he was. He horribly, revoltingly, sickeningly was.
The frailty of life, billowing in front of Eliza as would a sail during a thunderstorm.
She heard someone else screaming, though it was distant and muffled as if it were underwater. She looked at the red, prostrate once-body; it couldn't have come from it. Then it dawned on her; she was the one screaming.
Both men turned to her.
Eliza froze, rooted to the spot. She began to back away just as shock blossomed on Ethan’s red-splattered face and his mouth formed her name: “…Eliza?”
And she ran.

Entry #5 - The Letters

One of our choices was to create a persona and write a couple of letters from their POV. I decided to use my handy-dandy quill pen to write these. I created two personas: a father and a son during the Civil War. I wrote the boy's letter with my left hand to make it look...well, more like a little kid wrote it (I'm right-handed, by the way). I hope you can read it O.o
I made the paper look old by soaking it in tea and baking it in the oven for about 5 minutes. Then I took a lighter and burned the edges in the second letter.
I did some research for the second letter. Robert E. Lee didn't surrender until May of 1865, but Sherman (the guy mentioned in the letter) really did have the Confederate army surrounded at that time.

............................................................................................................................


Dear Papa,
Hello this is you son Jacob and i miss you very much. Mam said I can write leters becouse i am five now She is so pretty and Rosie misses you too. Rosie said her first word it was papa and Mam cryed. We love ad miss you.
Your son jacob
i love you :)


Dearest Jacob,
I cannot begin to say how much I miss all of you. The war may have separated us but I promise I will be back to see you very, very soon.
We have just reached the Atlantic Ocean in Georgia. Our general, William Tecumseh Sherman, is sure that we have the Confederate army surrounded and that they will be surrendering soon. Then I will come back to you and your mama and little Rosie. Tell Mam I love her and take care of her.
I love you all,
Your Father,
James

Entry #4 - How to Make a Quill Pen


The pen will be more resilient if it is treated first, but it's not completely necessary. To treat, put sand in water overnight. The next day, put it in a can and bury the shaft of the feather in it. Put in the oven at about 350 degrees for 15-20 minutes. When time is up, take the feather out. Leave the feather in the sand until it cools. This method makes it tougher, more flexible, and less brittle. I had to get some sand from Hobby Lobby since I'm in an apartment.

This is the actual process: 

1. Find a feather. You can get one at any craft store or just from outside. Just make sure you wash it off beforehand if that's the case.

2. Cut the feather at around 45 degrees, then make another one opposite to that one at 5 degrees. There'll be two "horns" at the end of the pen.

3. Bend the horns together. This should make it crack and a slit at the center.

4. Shave off the horns so there will be one prominent tip.

And there you have it!

Mine ended up a little rough, since I've never done this before, but it still writes all right...I guess >.>

The lighting is really bright, but you can see the sharper tip that the little ink blob is supposed to attach to.
Test running :)

Writing with a quill pen isn't too much different from today's pens, except you had to dip it in the ink vial. I honestly thought making a quill pen just consisted of plucking a bird's feather off, washing it, and then shaving down the tip. I didn't know about the whole treatment deal until I actually looked it up. And it was hard! I had to do a few of them since I managed to ruin a few, but it was definitely a learning experience.

Saturday, April 20, 2013

Entry #3 - The Playbill

I created a playbill that may have been seen around the 1800s. The real ones were a lot more elaborate, but I'm hoping mine comes close :)
This was pretty simple to make. Unfortunately, I don't have photoshop, which would have helped make it a lot more detailed. I had to look at a lot of actual playbills to get an idea and find one I liked. No two looked the same. AND A LOT OF THEM USED ALL CAPS, LIKE THIS!
The Chestnut Street Theater was a pretty well-known theater in Philadelphia. It was first opened in 1794. You can read more about it here:
http://johndurang.yorkheritage.org/?p=189
Enjoy!

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Entry #2: Things You'd Find in a 19th Century Newspaper

So I did some trolling about the Internets to find some things one would see in a newspaper article. They were pretty different than today's newspapers. Some of the things I'd found reminded me of those weird infomercials you see at, like, two in the morning. Kind of funny, too. But that's the 1800s for you I guess.
This is a news article and three advertisements you'd find in a 19th century newspaper. Specifically, just after Lincoln's murder.
Enjoy!

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Harper’s weekly

On 14 April, John Wilkes Booth, renowned actor and supporter of the Confederacy, fatally shot President Lincoln during a performance of Our American Cousin at Ford’s Theater. Reports have confirmed that President Lincoln passed away at 7:22am yesterday morning. He was fifty-six years old.
            He was in high spirits at the time of the shooting, say witnesses who heard his laughter during the show. The president and Officer Henry Rathbone sat in a private box with Lincoln’s wife, Mary Todd, and Rathbone’s fiancée, Clara Harris (the daughter of NY Senator Ira Harris). After firing a .44 caliber derringer point-blank into the back of the president’s head, Booth then proceeded to stab Officer Rathbone in the forearm. Despite Rathbone’s efforts to stop him, Booth then leapt from the box and landed onstage. Though his leg was broken, Booth shouted, “Sic semper tyrannis!”—Thus always to tyrants, the Virginia state motto. He then fled the theater on horseback. He has yet to be found.
            Witnesses say that they thought it was all part of the show, but Mary’s screams proved something else entirely was going on.
            After the shooting, President Lincoln was transported by carriage to William Petersen’s boarding house, where he was pronounced dead at approximately 7:22am on 15th April.
            Lincoln’s wife and sons were not present at the time of his death. His eldest son, Robert, was home at the White House when he heard what happened to his father. Young Tad Lincoln was at Grover’s Theater attending Aladdin and the Wonderful Lamp. The play was halted when the announcement came.
            The hunt for Booth is still in motion. It is estimated that over ten thousand federal troops, detectives, and police are at work to track him down.
            On April 21, Lincoln's body was taken by train to Springfield, Illinois, his hometown prior to his presidency. A multitude lined the railroad route to honor him during the journey. He will be buried at Oak Ridge Cemetery near Springfield, Illinois, the same place where his son, Willie, is also interred.








Friday, April 19, 2013

Entry #1: Movie Review - Memoirs of a Geisha

This is quite possibly the most mind-numblingly stressful paper I've ever taken on in my entire life.
I first saw Memoirs a while ago and I loved the movie. I hadn't read the book, but I'd heard from a lot of people that it was good, so I put it on my to-read list. But doing this kind of ruined it for me. I learned a lot about the movie and the times it was grounded in. There were just so many inaccuracies in the film, I can't even take it seriously anymore. I read somewhere that many Japanese people got offended over it, and I can't really blame them.
Read on to see why.

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Kelsey Johnson
Professor Quiroga
History 1301
4.13.13
Memoirs of a Geisha Review

Introduction
Memoirs of a Geisha was directed by Rob Marshall and produced by Steven Spielberg’s Amblin Entertainment and Spyglass Entertainment. It was released in the US on December 9, 2005. The film is based on the novel of the same name, which was written in 1997 by Arthur Golden. The film stars Zhang Ziyi as Sayuri, Ken Wantanabe as The Chairman, Gong Li as Hatsumomo, and Michelle Yeoh as Mameha.
Memoirs is about a young Japanese girl named Chiyo whose family sold her into slavery with her sister. After they were separated, she is sent to school to be a geisha, women entertainers who were taught a variety of skills such as music, dance, and games. The story centers around Chiyo’s—later renamed Sayuri—life as a full-fledged geisha against the backdrop of World War II. The story spans twenty years as Sayuri attempts to find love and acceptance, all the while making friends and enemies in the process.

Plot Summary
When a little girl named Chiyo is sold to the okiya—the geishas’ place of residence—the viewer is taken through her journey from a naïve girl searching for her sister to a full-fledged geisha. After some time in the okiya, she meets the Chairman, who shows her more kindness than perhaps she has ever experienced in her nine years. She carries her love/infatuation for him throughout the movieand it is what influences her to go from a servant to a geisha under Mameha, a retired legend.
Sayuri gains popularity both as a maiko (and apprentice geisha) and especially after becoming a geisha herself. Her success overtakes that of Pumpkin, another girl sold to the geisha house. However, Sayuri’s longtime enemy, Hatsumomo, envies her fame and spreads rumors about her to the would-be patrons, or dannas. Later, Sayuri and the Chairman are reunited. She resumes her goal to win his affections. After performing her debut dance, she attracts bidders for her mizuage, or her virginity, which a man named Dr. Crab wins. When Sayuri and Mameha return to the okiya, Sayuri goes into her room to find an enraged Hatsumomo, and the two fight, which results in Hatsumomo’s expulsion.
Sayuri’s success comes to a halt when America bombs Hiroshima. She and Mameha are separated; the Chairman sends her to the hills to be a kimono-maker. There she stays for the remainder of World War II. Afterwards, she is reunited with Mameha, who rents out rooms for a meager living. They resume their status as geisha to impress an American colonel who is interested in helping the Chairman and Nobu (his friend and partnes) restore their business. They are flown to the Amami Islands, where the colonel propositions Sayuri. She rejects him. Nobu reveals to her that he saw it happen and tells her he wants to be her danna. Sayuri refuses him and aims to destroy his affections. She seduces the colonel in and asks Pumpkin to bring Nobu to see, but resentful Pumpkin brings the Chairman instead. Sayuri is devastated.
A few days after the incident, they are flown back to Japan, where Sayuri is called to go to a teahouse. Instead of the angry Nobu she expected to meet there, Sayuri sees the Chairman. He reveals that he remembers her as Chiyo, and that he had persuaded Mameha to help her become geisha. He also tells her that Nobu no longer desired to be her danna. Sayuri finally confesses her love for the Chairman, which she has had for over twenty years. The movie ends with them sharing a kiss and walking hand-in-hand through the garden.


The Role of Women in 1920-1940
It is evident throughout the film that women were rarely, if at all, given a chance to break out of the traditional Japanese role of a “walking piece of art.” There is a great rift between the genders; the women were bound to live their lives as mere entertainment—“because we have no choice,” says Mameha toward the end—while most of the men were portrayed as important business figures. After the bombing of Hiroshima, the amount of self-worth the Chairman and Nobu (his partner and close friend) place on their business becomes plain. They enlist Sayuri and Mameha to impress an American colonel who is interested in helping them get back on their feet after losing everything.
During 1920s-1940s Japan, women were devoid of most rights that men were practically born with. Their situation almost mirrored that of African-Americans during that time: they were constantly told of “equality” between men and women. This is because there were laws instated in 1887 that limited women’s rights. They could not vote or own land, and because of the samurai culture still prevalent then, they were still expected to be submissive to their husbands.
World War II brought substantial change in women’s roles. Almost ten percent of Japanese men enlisted in the armed forces, which is equivalent to around 2.5 million. Just like in America, women were forced to take up the jobs the men had to leave behind. They worked in mines, mills, and factories. Along with this, they inherited control of their households.
After the war ended, America changed much of Japan’s society. They rewrote the Japanese constitution, which now illegalized war and virtually erased any power the emperor had. Also, women earned voting rights, among others, in 1946. This gave way to women seeking a more self-centered existence in future decades, which contrasted the traditional belief that the group is more valuable than the individual.
Source:

Feminist Theory
Feminist theory is the study of gender inequality which to aims to elevate women’s status within culture. It analyzes the effects of race, ethnicity, and age on women around the world. Its main goal is to create a more equal environment for women and emphasizing their contributions to society.
Much feminist theory has arisen and even been exacerbated by Memoirs. When Chiyo meets the Chairman, she says that she “changed from a girl who faced nothing but emptiness to someone with purpose” and that becoming a geisha could help her win the Chairman’s heart. Feminists have expressed disapproval of her character for this reason. From a young age, Sayuri was an embodiment of the doctrine of the time: women should not have any aspirations aside from entertainment. An older Sayuri says that her life had become “a game” and that she didn’t even know the “rules” herself, but she allowed the current—namely, what everyone else wanted for her as opposed to what she wanted for herself—to carry her throughout the film. Seldom does she choose to take charge of her own fate. By allowing herself to love the Chairman, Sayuri comes to defy the traditional rule that geisha cannot fall in love, which, in a way, was one of the main driving forces of the entire film. This becomes evident when she tells the Chairman that everything she did throughout the years was for him: “Every step I have taken…was to bring myself closer to you,” she confesses at the end of the film. However, her supposed defiance was undermined by her depending on a man for her happiness. She was proof that all women had to offer was their feminine charms and not their smarts or other skills.
Feminists have also protested against the similarities between a geisha and a common prostitute. As mentioned above, Sayuri’s virginity was essentially sold to the highest bidder. Some have argued that the film depicted geisha as sexual creatures who were trained only to please men. Mineko Iwasaka, the geisha whom Arthur Golden interviewed before penning the book, agreed with this and was extremely offended by Golden’s portrayal of geisha. As a response, she wrote her own autobiography, Geisha: A Life. In it, she denounces the bidding of the mizuage, saying it was highly inaccurate and fictional. Also, while Sayuri devoted her life to winning the heart of the Chairman, Iwasaki aimed for independence and personal strength.
Sources:
http://lup.lub.lu.se/luur/download?func=downloadFile&recordOId=2165854&fileOId=2166340

Orientalism
            Orientalism is the depiction of Eastern cultures by the West. It does not always stay true to the actual culture and tradition—in other words, Orientalism is merely a perception or even a fantasy as opposed to the truth.
Memoirs is heavily Orientalist through the often inaccurate portrayal of geisha and Japan itself. Ken Watanabe, who played the Chairman (and is one of the few Japanese actors in the film), even said that some aspects of the movie were contradictory to Japanese culture during the time; he kept mum about it because he knew that Rob Marshal was aiming for a more “fantastical” film. One of the more obvious mistakes is the actors speaking English throughout the entire movie, which subtracted from its authenticity. On top of this, when Sayuri and Mameha are shipped to America to impress the colonel, both women are somehow suddenly able to speak fluent English. The viewer has had no prior indication that the geisha were exposed to American culture in any way. Also, geisha considered it an embarrassment if they were caught in public with their hair down; in numerous instances, Sayuri and Mameha walk the streets with their hair loose. This is especially contradictory when Sayuri gives a performance debut in the same manner. Moreover, the hairstyles that Sayuri wore as maiko and as a geisha were very different from the ones worn by real geishas.
Sources:

Final Thoughts/Summary
            Upon first viewing the film, one cannot help being enraptured by imagery and beauty that influenced it. The film was filmed mainly in California, as well as some choice areas in Kyoto, Japan. This could cause the viewer to be distracted from the overall storyline, which lacks in any real substance. The initial viewing was enjoyable, but further investigation into the culture surrounding it subtracted from the film.
The viewers are encouraged to study women’s roles in 1920s-WWII era Japan. Up until then, women had little to no rights, which was reflected in Memoirs. During Sayuri’s lifetime, the only prominent economic figures were men. The sizable chasm between the two genders was greatly obvious: men were able to have sufficient jobs and run important businesses, while women (geishas, namely) provided entertainment and pleasure. This is evident when an older Sayuri calls geisha “walking pieces of art” that exist only to please and entertain. Gender inequality, while being a controversial subject, served as one of the only aspects that corresponded with the time period.
It is understandable why many feminists do not appreciate Memoirs. For one thing, the protagonist had very little sense of self and was led along by two things: a) what everyone else wanted for her and b) her love/infatuation with the Chairman. She accepted whatever fate befell her—including her violation at the hands of the Baron—thinking only of him and how it would bring her closer to or farther from him. At the tail end of the film, the viewer is not shown what becomes of Sayuri when she confesses her love for the Chairman, only that she finally knows that he loves her in return. This was her chief goal for over twenty years. Also, feminists see geishas as little more than glorified prostitutes. They sell their bodies as well as their craft, which contrasts starkly with the feminist belief of women contributing to society. Her mission in life, goes against the fundamental feminist beliefs in that she never fully realizes herself and just “goes with the flow.”
There were numerous discrepancies between the Orientalist portrait that was painted by both novel and film and reality. The contradictions were significant and numerous and only served to strengthen the prevalence of Orientalism. They made the film seem like a Western fantasy, not a true-to-life interpretation of geisha and Eastern Asia itself. For example, had the film been in the Japanese language, it would have been more authentic. Also, the three protagonists were played by Chinese actresses. This wasn’t a significant setback to the Western viewers, though it raised much controversy with Japanese audiences. Had some historical value been added to the movie, it would have resulted in more realism and been less Orientalist and fantastic.
In conclusion, the imagery and the seemingly beautiful story of Memoirs of a Geisha belied its many incongruities and flaws. It may appear as a story self-fulfillment against the backdrop of WWII-era Japan, but the protagonist was weak and never took charge of her own destiny. Also, Arthur Golden created an exaggerated, fanciful Japan which was carried further by the production of the movie. Finding the mistakes took away from the initial “entrancement” of the movie and rendered it a pretty Western fantasy. The movie desperately needed some historical truths incorporated in it; had Golden and Marshall done this, the movie would have been more of a cinematic accomplishment.